The Headhunters have completed an ambitious new jazz release — one that continues to push the edges of fusion, incorporating hip hop and funk You May Also Like: How Bennie Maupin Left Mwandishi Behind on ‘The Jewel in the Lotus’ Rob Dixon Trio, with Charlie Hunter and Mike Clark –Read More
Saxophonist Walt Weiskopf’s first-ever in-concert recording Walt Weiskopf Quartet: Live, issued earlier in the month on Colorado-based Capri Records, is special in another personal way. You May Also Like: Walt Weiskopf European Quartet – ‘Diamonds and Other Jewels’ (2022) Walt Weiskopf – The Way You Say It (2016) Walt WeiskopfRead More
Buddy Guy is a finger-licking wonder on the forthcoming 2-CD Chicago Blues: A Living History; The (R)evolution Continues, an old-blues-meets-new-blues set scheduled for a release on June 7 by Megaforce/RED. You May Also Like: How Muddy Waters Came Roaring Back With ‘Hard Again’
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to keyboardist Bobby Whitlock, who rose to fame as a composer and sideman alongside Eric Clapton and George Harrison. You May Also Like: ‘All Things Must Pass Away: Harrison, Clapton, and Other Assorted LoveRead More
Bobby Whitlock reflects on Derek and the Dominos’ ‘Layla and Other Assorted Love Songs,’ and other career highlights.
A new offering from Sade’s forthcoming 28-track two-disc ‘The Ultimate Collection’ turns every candle-lit romantic notion about her music on its ear.
South Carolina’s Stella by Starlight is an entertaining electropop amalgam of modern and distinctly old-school sounds, one part mixtape-from-your-dad’s-vinyl-collection and another part post-modern-hipster-songcraft. You May Also Like: Eri Yamamoto, Chad Fowler, William Parker + Steve Hirsh – ‘Sparks’ (2022)
Sherman Ewing’s Single Room Saloon arrived with a sound that is at once intuitive and raw, but somehow well-worn and familiar, too. You May Also Like: Fernando Perdomo, progressive rocker: Something Else! Interview
Stan Kenton would have been 100 this year and, in many ways, he’s as misunderstood now as he was in his own time. You May Also Like: 14 Jazz Orchestra, Jazzrausch Bigband + Grand Rapids Jazz Orchestra: Big Bands on Different Paths
A band suspended forever between the formalism of Dennis DeYoung’s Broadway pretensions and the harder-edged banalities of James Young and Tommy Shaw, Styx sounded different every time it came on the radio. Yet, critics insisted, somehow the same: Mediocre. You May Also Like: No related posts.
