Critics hung soft rock around their necks, but Toto was never so easily identifiable.

The 32nd annual Blues Museum Awards ceremony was held Thursday night at the Memphis Cook Convention Center. Produced by the Memphis-based Blues Foundation, the event belonged to Buddy Guy. You May Also Like: Denise LaSalle, Soul-Blues Belter (1939-2018): An Appreciation How Levon Helm Turned ‘Dirt Farmer’ Into a Rootsy, ThrillingRead More

Dominated by a dreamy wah-wah from guitarist Kyle Sclafani, Mia Borders’ “Try Me On” initially brings to mind all of the big-hat-wearing, too-tall-bootsy joys of 1970s funk. When her lyric, which starts out sexy and tough, gives way to Adam Matasar’s throwback turn on the Fender Rhodes, the lava-lamp lightningRead More

Pianist Benny Green’s aptly titled new release Source can come off as a familiar conversation, since it’s filled with a number of jazz music’s notable voices — most of them, no surprise, key influences on his work. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973):Read More

You’d think the use of a music box on the title track from an interesting release by Korean jazz singer Youn Sun Nah — “Same Girl” was originally found on Randy Newman’s 1973 recording “Trouble in Paradise” — would imbue it all with this childlike wonder. (Elsewhere, Youn Sun NahRead More

John Oates takes us inside the love-gone-wrong beginnings of Hall and Oates “She’s Gone,” and talks about how the birth of Oates’ son sparked a standout solo track. He also laments that doo wop never gets its due, and how he remade a signature Hall and Oates hit into aRead More

John Oates has always been more than the Other Guy in Hall and Oates. In fact, the mustachioed one co-wrote half of H&O’s six Billboard No. 1 songs, including “Out of Touch,” “I Can’t Go For That (No Can Do)” and “Maneater. You May Also Like: No related posts.

With a piano signature that mimics rain water trickling from a downspout, and an easy-going, almost confidential delivery that sounds like a softer Toad the Wet Sprocket (or a tougher Gin Blossoms?) You May Also Like: Joe Bailey, “Waiting” from ‘Ghosts’ (2021): One Track Mind Michael Salvatori – ‘Waiting ForRead More

Stevie Nicks is, I’ve always thought, one of those ingredients that only tastes completely right in concert with other things. Those things being the rest of Fleetwood Mac in general — and, more specifically, Lindsey Buckingham. You May Also Like: No related posts.

Former Spock’s Beard frontman Neal Morse confronts the triumphs and pain of his tenure and ultimate departure in 2002 from the band on Testimony 2. The forthcoming album, to be issued on May 24 by Radiant/Metal Blade, isn’t simply an epic sequel You May Also Like: Neal Morse Did ItRead More