Those looking to get a groove going inside Count Basie’s sprawling, soul-deep catalogue should start with his 1970s stuff — where, more often than not, you find Basie in accessible, small-group settings. Here’s my favorite, a trio recording originally issued by Pablo that was reissued in 2006. I immediately connectedRead More

West Coast-based pianist Michael Ray has been performing with sibling drummer Stephen since they were 10 and 7 years old, respectively. Together, they’ve played more than 2,300 concerts together. That deeply ingrained sense of musical brotherhood, almost like the two are finishing each other’s sentences, plays out on the idiosyncratic,Read More

Insistent but quiet, Avi Wisnia begins with a bracing confidentiality, gently pulling you in the pillowy reverie of “New Year.” But, just like that, Wisnia shakes himself awake as Renee Warnick’s swooning voila surrounds him, moving from the brink of resignation into a contagious confidence: “Never turn your back onRead More

The new Doctor Faith, Christopher Cross’ first original studio album in 12 years, occasionally finds him taking a darker — hell, I’ll just say it, crankier — view of things. You May Also Like: No related posts.

The story of how country folk/Americana performer Andy Budd came to make this record is uniquely American. A car dealer by day, Budd always wanted to be a country singer. With support from his family and staff, that dream was made real You May Also Like: Richard Turgeon, “Car Crash”Read More

Maybe because it’s the first Pink Floyd-related solo album I ever bought, but also because it came between two Roger Waters-heavy releases (Animals and then The Wall), this has always been a sleeper favorite for me. It’s a loose record, with some interesting instrumentals, never didactic — and anything butRead More

Her album is populated with songs we’ve heard too often, sung in front of a band that’s bland and not engaging. It’s a lot for Pam Saulsby to overcome, but she does, and she does it with vigor. You May Also Like: Ella Fitzgerald, “Perdido” (1949): Appreciations

From its first dramatic rat-a-tat, this undulating rhythm signature that plays off a driving acoustic riff, “Northern Lights” moves with a persistent ardor. Alex Wand’s vocal runs in tandem, even as the drums recede into the background, until he has finally, definitively captured the center of the song. It’s onlyRead More

Confession time: I still have a place in my heart for Miles Davis‘ oft-reviled last album Doo-Bop. Sure, taken as a hip hop album, it didn’t set any new standards. But taken as a jazz album looking to the future, it held lasting importance as the precursor to hybrid albumsRead More

On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to Toto co-founder and legendary sessions guitarist Steve Lukather. He provides insight into “I Won’t Hold You Back” and “I’ll Be Over You,” You May Also Like: Steve Lukather, “Someone” from ‘Bridges’ (2023): OneRead More