Kevin Godley, co-founder of 10cc: Something Else! Interview
Kevin Godley talks about 10cc, Creme and Gouldman, his lost musical experiment with the Gizmo, and the dangers of working as a video director.
Kevin Godley talks about 10cc, Creme and Gouldman, his lost musical experiment with the Gizmo, and the dangers of working as a video director.
Listening, you’d be hard pressed to place Jessie Marquez, a sensual American singer with Cuban roots, anywhere near her hometown of Eugene, Ore. There is something so otherworldly, so richly textured, so intimate and humid and spicy about tracks like “La Herida.” Written by Gustavo Rodriguez, this redemptive tune isRead More
Musician and street poet Gil Scott-Heron, best known for “The Revolution Will Not Be Televised,” died today. Cause of death was not immediately known; he was 62. Scott-Heron started out at the dawn of the 1970s as a jazz-inclined R&B singer and spoken-word performer, a rapper years before the genreRead More
Chris Connelly, coming off key contributions to a pair of recordings by Al Jourgensen’s Ministry, neatly sidestepped the dreaded “industrial” tag here with simple musicianship (not to mention a dead-on Bowie vocal turn). Still can’t be sure how he made time for Phenobarb Bambalam, considering he was also touring andRead More
In many ways, the initial cuts on Journey’s Eclipse recall the wide-open heavy fusion of the the band’s original Gregg Rolie-era records, a period when guitarist Neal Schon pulled and stretched his muse. At the same time, singer Arnel Pineda possesses a second-act Steve Perry-sounding penchant for soaring expectancy. YouRead More
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to jazz pianist Michael Wolff. You May Also Like: Cannonball Adderley – ‘Poppin’ in Paris: Live at L’Olympia 1972′ (2024) Warren Zevon’s ‘Jeannie Needs a Shooter,’ ‘Piano Fighter’ + Others: Gimme Five Warren Zevon,Read More
Endlessly engaging, Michael Wolff was praised by the New York Times for “near impeccable good taste, technical facility and lyrical inventiveness.”