Somewhere today, a SXSW hipster is going to proclaim the Stone Foxes — this band, right here — the best damn thing happening in Austin right now.

How much of Brian Wilson’s third-act resurgence is studio magic? We search for clues in a live take on a song from his upcoming solo album.

Dion will always be remembered for his pre-British Invasion songs, but there was far more to him than “Runaround Sue” and “The Wanderer.”

Released this week in 1982, ‘Asia’ heralded a sure-fire supergroup. By 1983, they’d split. John Wetton and Geoff Downes tell us what went wrong.

There’s a blessedly long list of food-based blues. Add Dallas-based Smokin’ Joe Kubek and Bnois King’s “Cornbread” to that lip-smacking list.

Released on March 15, 1986, “Sara” was the second of three clustered, mid-1980s No. 1 hit singles for Starship — but one that’s held up much better.

Kiss’ ‘Destroyer’ found producer Bob Ezrin at his too-busy worst. Kiss is (or it should be) too visceral for that.

Mumford and Sons’ electrified “Believe” feels more like an evolution, organic and heartfelt, than a sharp right turn.

Connections to their shared history stream through every quiet moment of Chris Stamey’s new song with Mitch Easter — and even more light.

Steve Hackett describes ‘Wolflight’ as a journey, through both outer and inner space. The advance song is a ride far more visceral, tangibly thrilling.