The upshot of ‘4 ½’ is that Steven Wilson’s chaff still beats most of contemporaries’ wheat because his creative zeal doesn’t ever seem to take days off, even for songs he sets aside.

A benefit remake of one of Steve Hackett’s most memorable instrumentals gives us a rare musical – as well as altruistic – reason to listen.

For most Led Zeppelin fans, the group’s canonical releases between 1969’s self-titled debut and 1979’s In Through the Out Door are consumptive enough that they needn’t bother with the solo efforts that followed. You May Also Like: No related posts.

The soon-to-be-released Lifesigns single “Telephone” is perhaps the best example of how the group’s previous lives in prog and pop can coalesce into a listenable, yet still challenging, amalgam of both. You May Also Like: No related posts.

When Rob Reed began conceptualizing his forthcoming 1970s-style epic prog-rock tale Beneath the Waves, Magenta’s frontman decided he’d need a high-concept band, too: The all-star Kompendium includes, among many others, Steve Hackett You May Also Like: Steve Hackett, “In the Skeleton Gallery” from The Night Siren (2017): One Track Mind