How the Fixx Refused to Pander on ‘Beautiful Friction’
The Fixx’s ‘Beautiful Friction’ arrived 10 years ago this week as testament to a band unafraid to follow its muse.
The Fixx’s ‘Beautiful Friction’ arrived 10 years ago this week as testament to a band unafraid to follow its muse.
Issued 40 years ago today, the English Beat’s closest brush with the mainstream still incorporated all of these bizarrely effective moments of creativity.
Arnold M discusses the debut album from Karate School Dropout, a fun blend of new wave, dreampop, techno and shoegaze.
‘Sirocco’ became Australian Crawl’s first No. 1 LP in their home country, but didn’t manage anywhere near that level of success on the ‘Billboard’ charts.
A fantastic album from top to bottom, ‘One Bar Left’ continually spotlights Arthur Alexander’s allegiance to authentic rock ‘n’ roll.
A reissue of Pearl Harbor and the Explosions’ delightful New Wave debut is more than welcome and long overdue.
The Undertones produced outstanding songs, but they unfortunately never netted enough sales to acquire widespread notice, remaining a cult favorite.
A new reissue highlights the often-overlooked Paul Collins’ Beat, one of the great power pop bands from the late ’70s/early ’80s.
A badly needed reissue reminds us of Suburban Lawns’ focus on new wave excitement and subversion, bolstered by a sense of humor and of the odd.
Decades after “Cars” arrived on September 7, 1979 as part of ‘The Pleasure Principle,’ Gary Numan’s influence is only becoming more obvious.