Against a backdrop of a slow waltz toward disappointment and death comes a familiar story — that of a man trying to scratch out a living any way he can. The emotion is amplified with great subtlety by some swelling horns You May Also Like: Jack Bruce and Robin TrowerRead More

In characterizing the music of the deliberately elusive collective Burnt Sugar The Arkestra Chamber, one can come up with a whole host of made-up genres and still not quite nail what they sound like. You May Also Like: Burnt Sugar the Arkestra Chamber – ‘Angels Over Oakanda’ (2021) Biscay –Read More

Today’s Wrecking Ball preview is “Shackled And Drawn,” stream provided by Rolling Stone magazine. You May Also Like: Boz Scaggs + Duane Allman, “Loan Me a Dime” (1969): One Track Mind

You come in expecting one thing, being as Jeremy Davis focuses on the mid-century big-band formula. And, at times, you hear Sinatra in this album. Dorsey, too. You May Also Like: The Fabulous Poodles – Mirror Stars: The Complete Pye Recordings (2018) Miles Davis’ ‘Bitches Brew’ Broke Every Rule: ‘AnRead More

It has been announced that tracks from Bruce Springsteen’s forthcoming album Wrecking Ball will be streamed from various sites, one new song per day. Today sees the release of “Easy Money,” streaming at the News page at Backstreets.com. You May Also Like: No related posts.

For the past two decades, the Squires of the Subterrain has been putting out some of the coolest sounds one could hope to experience. Not a band, but an individual artist, who also frequently records under the name Christopher Earl, the Rochester, New York-based multi-tasking musician has often and deservedlyRead More

Sinead O’Connor’s ‘How About I Be Me (And You Be You)?’ featured return-to-form originals that are both offbeat and powerful – sometimes all at once.

You’re to be forgiven for expecting this to be a guitar record. First, there’s Ned Evett himself — a master of this specially created fretless version of the instrument. And his producer, gearhead Adrian Belew. You May Also Like: Adrian Belew’s ‘Side One’ Was a Journey Through His Rich MusicalRead More

The debut of this soulfully swaying amalgam finds Byron – one of this era’s more intriguing jazz clarinetist/saxophonists – turning his attention to the layered musical legacies of Thomas A. Dorsey and Sister Rosetta Tharpe. Dorsey, known as the father of black gospel, pioneered the combination of traditional Christian hymnsRead More

His sound is so crystalline, so special, that Carlos Santana remains recognizable with or without pictures. Yet for all of the accolades showered on this Mexican-born American guitar hero, not least of which is his inclusion in the Rock and Roll Hall of Fame, Santana has always been as boldRead More