A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words. You May Also Like: Peter Hum – ‘Ordinary Heroes’ (2020)
Rod Stewart’s hope to reunite with the Faces was thwarted by illness just before their Rock and Roll Hall of Fame induction, and then by Ron Wood joining the on-going Rolling Stones reunion concert series. But the idea isn’t dead. You May Also Like: No related posts.
A fourth LP is in the offing for that avant-Chicago/folk-Brazilian amalgam, the São Paulo Underground. Rob Mazurek (cornet, electronics), Guilherme Granado (keyboards, electronics) and Mauricio Takara (drums, percussion, cavaquinho, electronics) are back You May Also Like: Rob Mazurek’s Black Cube Marriage – Astral Cube (2017)
Recorded early in the year, Futura was initially intended to be a solo effort by Hillary Burton, who garnered accolades as one-half of the Southern California based Nushu, which also included Lisa Mychols. But shortly after the project was completed, Honeychain ballooned into a full-blown band You May Also Like:Read More
Since King Crimson went on an extended hiatus in 2009, Adrian Belew — both with his power trio and with the Crimson ProjeKCt — has worked to keep the group’s legacy before concert goers. That doesn’t mean he’s always faithful to the originals. You May Also Like: No related posts.
The combined talents of Jarrett, Peacock, and DeJohnette extend far beyond technical facility. They’ve played together for so long now that to look for their line between improvisation and straight play is to miss the point. You May Also Like: Keith Jarrett Returned to His Strengths on ‘Testament Paris/London’ NoahRead More
Brian May’s on-going collaboration with Kerry Ellis finds the Queen co-founder adding his iconic guitar sound to “The Kissing Me Song,” a cutesy mainstream pop song with a fan-generated video of people smooching to boot. You May Also Like: How Pee Wee Ellis Finally Stepped Into the Spotlight With ‘BluesRead More
Amazon.com Widgets Kansas City, home of Count Basie, is famous for its jazz, the one of the hard swinging variety. Even those jazz cats who migrate to New York from KC will retain that swing with them. You May Also Like: Dave Stryker – Eight Track II (2016) Dave StrykerRead More
Mike Dillon calls himself an “electronic vibraphonic go go funk punk rock jazz screaming being,” which is 100% accurate, and if that doesn’t get you interested in his music, then GTFO. You May Also Like: Mike Dillon & Punkadelick – ‘Inflorescence’ (2023) Mike Dillon – ‘1918’ (2021)
Alternately volcanic, fragile, and threatening, but always jagged, Black Host is as inscrutable an ensemble as there is, consisting of five well-established figures of advanced jazz. You May Also Like: Brandon Seabrook, with Cooper-Moore + Gerald Cleaver – ‘Exultations’ (2020) Brandon Seabrook, Cooper-Moore + Gerald Cleaver – ‘In the Swarm’Read More
