How ‘Never Mind the Bollocks, Here’s the Sex Pistols’ Changed Everything For Me
I’d never heard anything like ‘Never Mind the Bollocks, Here’s the Sex Pistols’ when it arrived 45 years ago today. My parents hoped they never would again.
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Ivo Perelman and Matthew Shipp – ‘Fruition’ (2022)
Ivo Perelman and Matthew Shipp both thrive on finding different partners with which to exchange fresh ideas, but they always return to this special duo.
Two Beatles Songs That Take the ‘Revolver’ Reissue to the Next Level
The revolution in sound associated with the Beatles’ soon-to-be-reissued ‘Revolver’ actually began with a couple of its bonus tracks.
Young Gun Silver Fox – ‘Ticket to Shangri-La’ (2022)
‘Ticket to Shangri-La’ is Young Gun Silver Fox’s finest LP, with a depth of musicianship and emotion that rises above nostalgia and the yacht-rock chatter.
How Robert Plant and Alison Krauss’ ‘Raising Sand’ Still Confounds Expectations
Released 15 years ago today, the heavily praised ‘Raising Sand’ doesn’t sound like either Robert Plant or Alison Krauss – and that’s a good thing.
This Triple-Platinum Beatles Compilation Shouldn’t Disappear Into History
Originally released 45 years ago today, ‘Love Songs’ is perfect for those who prefer softer touches of the Beatles. Yet it’s never been reissued.
Tobe Hooper’s ‘The Texas Chainsaw Massacre’ (1974): Reel to Real
The only reason to return to the visceral hysterics of ‘The Texas Chainsaw Massacre’ is that Tobe Hooper’s film transcends into a kind of poetics of evil.
Takuya Kuroda – ‘Midnight Crisp’ (2022)
With ‘Midnight Crisp,’ trumpet ace Takuya Kuroda once again creates music that makes new converts to jazz from the young and gives long-time jazzheads a fresh new perspective on an old genre.
Why ‘Celebration Day’ Provided the Perfect Farewell for Led Zeppelin
Remember when Led Zeppelin’s “Stairway to Heaven” was fresh to you? That’s how it felt 10 years ago today on ‘Celebration Day.’
Michael Salvatori – ‘Waiting For Autumn’ (2022)
Michael Salvatori’s ‘Waiting For Autumn’ will appeal to lovers of Mike Rutherford’s ‘Smallcreep’s Day’ and the more acoustic music from Anthony Phillips.
