With ‘Thisness,’ Miles Okazuki and his nimble, astute and funky quartet take yet another significant artistic step forward.

Mike Tiano explores how a subsequent update on the title track of Yes’ masterpiece ‘Close to the Edge’ happened – and why it matters.

Roberto Zorzi, Scott Amendola, Jason Hoopes and Elliott Sharp are capable of anything, making for an unpredictable mix of textures, technology and prowess.

Spencer Elliott’s ‘SE3’ journeys into different genres, mixes things up then transforms into music that sounds familiar yet has new vibes.

Covering a song so unique and classic like the Who’s smash hit “I Can See For Miles” can be rather risky, but Carla Olson pulls it off.

‘Wish’ arrived 30 years ago today as a return to form for the Cure. It just wasn’t the form I wanted.

‘Genesis of Genius: The Contemporary Albums’ might not be as ‘legendary’ as what soon followed, but this is where the legend of Ornette Coleman begins.

Jack White’s solo debut was issued 10 years ago this week, firmly pressing the accelerator toward every exciting musical offramp that’s followed.

Jimmy Haslip’s taste runs the gamut, from jazz to rock and even to long-ago pop stars. So getting him to narrow things down was quite a challenge.

Ben Craven has created a great big progressive-rock epic, smack dab in the midst of our very modern, rather silly ‘Masked Singer’ world.