I don’t know about the rest of the Pat Metheny fan base, but I was pretty much unprepared for what As Falls Wichita, So Falls Wichita Falls had to offer. You May Also Like: Pat Metheny – ‘From This Place’ (2020) Aruan Ortiz, with Andrew Cyrille + Mauricio Herrera –Read More

That there was unheard music from Nick Drake, dead four decades now, is one thing. That is as delicate and funny as “Reckless Jane” makes it all the more of a wonder. You May Also Like: No related posts.

Not so long ago, the UK jazz scene looked like it was in trouble. Audience numbers were dwindling and it became harder for musicians to get gigs, especially for those new on the scene. You May Also Like: Paul Jolly, free jazz musician, club owner and producer: Something Else! InterviewRead More

“I’m one of Jon’s biggest fans,” Morse tells us. “He just had this certain something.”

As a quick frame of reference, Wisconsin band the Sleepwalkers could be filed under that general, umbrella-like category called power pop. That’s a pretty big category, which describes a lot of artists and songs You May Also Like: No related posts.

Gonzo vibes man Mike Dillon is the secret weapon in whatever project he’s involved with, whether it’s Garage A Trois, The Dead Kenny G’s or even Karl Denson’s Tiny Universe. You May Also Like: Mike Dillon & Punkadelick – ‘Inflorescence’ (2023) Mike Dillon – ‘1918’ (2021)

David Uosikkinen reunites with fellow founding members Rob Hyman and Eric Bazilian for an anthematic reworking of “Beat Up Guitar,” originally the closing track from the Hooters’ folkier, more personal 1989 release Zig Zag. There could perhaps be no better concluding song for Uosikkinen’s new Philly-focused set of songs. YouRead More

I don’t often read things about film (mostly because I never watch movies), but there’s this terrific little spat going on between film critics over at New Yorker. Richard Brody claims that you only need five minutes — any five minutes — to determine if a film has resonance. YouRead More

A heart-wrenching tale of the search for redemption, with a calescent riff to match, John Wesley’s “Mary Will” is for everyone who ever worried they’d never overcome the mistakes of the past. You May Also Like: No related posts.

Steve Howe, some 10 years after Jon Anderson’s departure, is clearly getting a little peeved about having to talk about Yes’ departed co-founding frontman. Even more so when there is a new Yes album on the way. You May Also Like: No related posts.