OHMA [Mia Garcia + Hailey Niswanger] – ‘Between All Things’ (2022)
Mia Garcia and Hailey Niswanger of OHMA made a pure chilled vibe record with ‘Between All Things,’ arguably the best such record of 2022.
Mia Garcia and Hailey Niswanger of OHMA made a pure chilled vibe record with ‘Between All Things,’ arguably the best such record of 2022.
Mark Saleski finds new meaning during a track-by-track return to Bruce Springsteen’s ‘Greetings from Asbury Park, N.J.,’ released 50 years ago today.
Michael Leonhart joins Preston Frazier to discuss ‘Bona Fide,’ the longtime Steely Dan collaborator’s current project with rapper JSWISS.
British experimental band Szun Waves scours dark sonic corners for melodic human hope on ‘Earth Patterns’ – and that’s a tough thing to do.
Fred Phillips’ Best of 2022 includes Zeal & Ardor, Whiskey Mysters, Arch Enemy, Ozzy Osbourne and Skid Row, among others.
Hal Galper’s ‘Ivory Forest Redux’ easily justifies the decision to polish up these recordings and take them back out of obscurity. Artists well-known and should be better-known all shine on it.
In celebration of what would have been Mike Nesmith’s 80th birthday, let’s explore some quite surprising lesser-known songs from the Monkees.
The post-rock gem ‘Everywhen We Go’ by Mike Baggetta, mike watt and Jim Keltner is stimulating because everyone brings their considerable talents to bear on these songs.
‘Trans,’ the weirdest album from Neil Young’s weirdest period, arrived 40 years ago this week. But these five songs prove the ’80s weren’t all bad.
Ward Davis returned to the scene of his crime for ‘Live from an Undisclosed Location in Hays, Kansas,’ and the story is simply priceless.