I’m not one to get overly emotional about a celebrity’s death, even one whose work touched me. Dimebag Darrell was different.

The picture is grainy, the sound far too tinny. Still, there’s no denying the magic going on as Bob Marley returns to “Is This Love.”

S. Victor Aaron picks the best of 2014’s non-jazz albums, including Lucinda Williams, Me’Shell Ndegéocello, Drive-By Truckers and others.

A previously unheard song from blues legend Huddie “Lead Belly” Ledbetter finds him in an impish mood, even while losing a battle with ALS.

Steve Cropper talks about a memorable moment of improvisation by Otis Redding, and debunks a myth that’s surrounded it ever since.

If AC/DC’s ‘Rock or Bust’ ends up being the final album in the history of classic rock, well, that’s probably OK.

Here are Steely Dan’s five best bass performances, selected in tandem by our panel of Steely Dan authorities.

Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.

The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.

Duluth Trading Co. explains the concept of a pun in their response to a lawsuit from the Eagles’ Don Henley. Also, the whole free speech thing.