Preston Frazier’s Best of 2022 list includes studio projects from David Paich, Monkey House, Ben Craven, Adrian Quesada and others.

Some might quibble over whether this is contemporary, smooth or crossover jazz. It’s actually a hybrid from Everette Harp, Jeff Lorber and Paul Jackson Jr.

Grandmaster of magic and suspense Christopher Lee said his favorite role was a merry jaunt as Lord SummerIsle in ‘The Wicker Man.’

It’s no match for ‘Slave to the Grind,’ of course, but ‘The Gang’s All Here’ certainly belongs in the conversation with Skid Row’s early albums.

Ivo Perelman and Joe Morris are hardly the first saxophone-guitar duo, but they take that combination to its highest possible level with ‘Elliptic Time.’

On ‘Seriana Promethea,’ David Murray, Brad Jones and Hamid Drake swagger their way through seven Murray originals and one really cool cover with relaxed confidence.

Released 10 years ago, Bob Dylan’s ‘Tempest’ tells stories in which nobody is saved – or maybe even forgiven. Yet in the end, there were tender mercies for those who made it this far.

‘Unfamiliar Ceilings’ by violinist Lina Tullgren and koto player Alec Toku Whiting is an excursion into unfamiliar territory alright, but it’s territory where the ceilings look open like blue skies.

A number of book, CD, DVD/Blu-ray, and vinyl releases kept Beatles fans busy this year. Kit O’Toole is here to help Santa sort them all out.

Preston Frazier’s countdown of the best jazz of 2022 includes Michael Leonhart, Bobby Broom, Simon Phillips, Michael Leonhart, Jeff Denson, Mark Wade and others.