John Oates on the thing he hates most about Hall and Oates: ‘Just be totally objective about it’
Everyone, no matter their stature, can find themselves regretting a few things – and John Oates of Hall and Oates is no different.
Everyone, no matter their stature, can find themselves regretting a few things – and John Oates of Hall and Oates is no different.
Mark Saleski returns to a handful of resonant moments from Bruce Springsteen’s ‘Devils and Dust,’ released on April 26, 2005.

Here’s an exclusive advance stream of Todd Rundgren’s new take on ‘You’ve Got to Hide Your Love Away,” from ‘Keep Calm And Salute The Beatles.’

We’re on the trail of the seemingly untraceable John Manning, a talented singer-songwriter who released a lone album, then disappeared.

Otis Taylor’s “Cold at Midnight,” a white-knuckle ride into the very heart of worry, advances the forthcoming ‘Hey Joe Opus / Red Meat.’
A confession: I never fully appreciated the overpraised ‘Yankee Hotel Foxtrot,’ released by Wilco this week in 2002. Not until much later, anyway.

Cyrus Chestnut doesn’t supercede the definitive take by Bill Evans’ Trio. Still, I found myself enjoying the new corners he and his trio explored.

A bit comical and cheesy but astonishingly inventive, Hot Butter’s “Popcorn” was so futuristic that it could pass for a contemporary recording.

There’s often been a touch of punk attitude in Danko Jones’ music, but ‘Fire Music’ seems to focus more intently on that part of their musical DNA.
The Rolling Stones’ ‘Sticky Fingers,’ released on April 23, 1971, might just be better – shhhhh! – than the far-more-heralded album that followed it.