Having established himself as a top-flight sessionist, bandleader and composer, Billy Mohler reveals that all of those talents translates well onto the road with ‘Live In Europe.’

The Doors largely returned to their roots 55 years ago this week with ‘L.A. Woman,’ a no-frills blues-rock platter where every single song is a showstopper.

Dennis Atlas brings in Steve Lukather and other Toto bandmates but his outstanding solo album ‘Principle’ succeeds because it never loses its center.

Guido Spannocchi’s ‘Kammermusik’ avoids cliches by presenting a new blended sound. Yet there’s a sense of solace in our currently unpredictable world.

‘Fragments: The Complete 1969 Salle Pleyel Concerts’ an historically important document of four giants pushing jazz out to its very limits.

Taking us back to an era before the digital age, Don Sainte-Johnn’s new book reminds everyone how exciting and important radio once was.

Whether in trio or momentary quartet, ‘Orbital’ provides proof that The Outskirts reunion was well justified. The highly-charged improvisational magic is back.

Edward Simon’s ‘Venezuela: Latin American Songbook Vol. 2’ features intimate, unhurried and deeply grounded music that breathes with the cadence of memory.

With ‘The Woods,’ the sagacious guitarist from Maine Ryan Blotnick has consolidated all his strengths into his most consistent effort yet.

Two experimental electronic music pioneers who also happen to be analog musicians at heart create an endlessly fascinating assemblage of artificial sounds rooted in human artistic instincts.