Sunna Gunnlaugs – ‘Becoming’ (2023)
With Sunna Gunnlaugs’ latest release ‘Becoming,’ the art of the trio is alive and well under her leadership.
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Denny Zeitlin – ‘Crazy Rhythm: Exploring George Gershwin’ (2023)
As he had done with Wayne Shorter’s and Miles Davis’ music, Denny Zeitlin covers the songs of George Gershwin with imagination, passion and a deeply personal touch.
Why Black Sabbath Went Out on a High Note With ’13’
Black Sabbath called it a career 10 years ago with ’13,’ an album that mixed and matched sounds from every one of their classic eras.
How Jim White’s ‘Wrong-Eyed Jesus!’ Changed My Mind About Country Music
Stylistic influences aside, Jim White’s ‘(The Mysterious Tale of How I Shouted) Wrong-Eyed Jesus!’ is honest, original, un-glossed country at its best.
Steve Lukather – ‘Bridges’ (2023)
With a little help from his friends in Toto, Steve Lukather has produced one of the best solo works of his stellar career.
Micheal Formanek Elusion Quartet – ‘As Things Do’ (2023)
Michael Formanek is once again leading a high-powered quartet, and ‘As Things Do’ is as fresh, thoughtful and vigorous as anything he’s ever done.
John Wetton, Imagine Dragons, John Barry + Others: Five Songs That Cut Me to the Core
Here’s a look back at songs by John Barry, Imagine Dragons and John Wetton – both with King Crimson and as a solo artist – that stir my emotions.
Claudio Scolari Project – ‘Intermission’ (2023)
The Claudio Scolari Project’s ‘Intermission’ is a collective leap of faith, and these guys positively thrive in it.
Alex LoRe – ‘Evening Will Find Itself’ (2023)
Alex LoRe’s ‘Evening Will Find Itself’ a set of musical chapters that likewise stretches modernist jazz to the frontiers of what is possible.
Why ‘Kamakiriad’ Remains Donald Fagen’s Best Solo Album
Steely Dan stalwart Donald Fagen’s second solo album ‘Kamakiriad’ arrived 30 years ago as a somewhat-overlooked testament to creative genius.
