Steve Lukather kept Toto’s legacy alive with All’s Well That Ends Well
When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.
When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Perhaps the Zombies’ finest effort to date, the appropriately titled ‘Still Got That Hunger’ combines their initial vision with a fresh outlook.
Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

Salvador Santana’s “Till The Mornin’ Light” is one of the more accessible tracks on an album that boldly moves from funk to reggae to rap.
‘Time,’ released on Oct. 10, 1995, became Fleetwood Mac’s first-ever U.S. chart failure. Dave Mason joins us to explain what went wrong.

A badly needed reissue reminds us of Suburban Lawns’ focus on new wave excitement and subversion, bolstered by a sense of humor and of the odd.
Released on Oct. 10, 1969, King Crimson’s ‘In the Court of the Crimson King’ was like nothing that had come before – and little since.
George Harrison established his songwriting skills on “Within You Without You,” an often-overlooked Beatles track that boldly explored Indian styles.

Drummer/composer Billie Davies’ latest stop in her musical journey is a fruitful pairing of what she brought into New Orleans with what New Orleans brought to her.
Dave Grohl pushed hard for Rush’s induction into the Rock and Roll Hall of Fame. In a new editorial, Mike Tiano urges him to do the same for Yes.