Catherine Russell takes a stripped-down approach on ‘My Ideal,’ adding nuance and style to pop and jazz standards while relying solely on Sean Mason’s piano.

‘A Hard Day’s Night’ premiered in the U.S. in August 1964, catapulting the Beatles into stratospheric fame.

Progressive banjo player Alison Brown discusses career-shaping music by Earl Scruggs, the Nitty Gritty Dirt Band and David Grisman.

Preston Frazier was joined by Bernie Chiaravalle to discuss his latest release, ‘Chiara Destino,’ and choosing the perfect cover songs.

Barry Melton returns to Country Joe and the Fish’s brief but influential career, including a generation-defining appearance 55 years ago at Woodstock.

“Greensleeves” has disappeared from the end of the Beatles’ “All You Need Is Love” – and that’s just the beginning.

Grunting and grinding with power and volume, Bachman-Turner Overdrive’s ‘Not Fragile’ arrived 50 years ago as the ultimate classic hard-rock album.

When the Talking Heads’ ‘Fear of Music’ came wiggling out of my speakers for the first time 45 years ago, it was obvious I was onto something different.

Recorded live to a Tascam 388 analog machine, the organ-driven Parlor Greens’ ‘In Green / We Dream’ emerges as a near-perfect debut.

Vicki Peterson and John Cowsill joined Steve Matteo to discuss ‘Long After the Fire’ and appearing at the Long Island Music and Entertainment Hall of Fame.