China Crisis’ ‘Working with Fire and Steel’ has been expanded with two bonus discs that are equally as enchanting as the original release.

With 1968’s ‘Infinite McCoys,’ the McCoys showed they were dead serious about burying their image as a radio-ready pop act.

Toto’s greatest-hits album included bonus tracks with yet another new singer. Jean-Michel Byron wasn’t around long, but he left a lasting impression.

Mungo Jerry is known primarily in the U.S., unfortunately, as a one-hit wonder. The ‘Dawn Albums Collection’ puts “In the Summertime” in context.

Pink Floyd created a signature concert experience during their first performances of ‘The Wall,’ but I was lucky to have been there at all.

The things that an autistic person like Noah Jack can achieve can astound you. Listening to “Neighborhood” is all the proof you need of that.

“Skinny Boy,” a song that later appeared on the Robert Lamm solo album of the same name, was this weird little treat to end a great Chicago album.

Tom Petty and the Heartbreakers represented what we strive for across so many aspects of our lives: consistency, dependability, and longevity.

The substantive ‘Respect My Art’ by Organ Freeman grooves, rocks and makes you feel good without that nasty guilty pleasure aftertaste.

“Rhythm of Love” provides a rabble-rousing opening to 1987’s ‘Big Generator,’ but I’m not sure it’s really Yes.