Over time I’ve grown to love other Toto songs more, but “Stop Loving You” from 1988’s ‘The Seventh One’ remains a sentimental favorite.

Garry Tallent assured us that this “was not going to be any four-hour concert.” He laughed, “I only know one person crazy enough for that!”

The combination of Jack DeJohnette, John Scofield, John Medeski and Larry Grenadier is capable of so much; but ‘Hudson’ delivers in that it doesn’t kowtow to expectations of what kind of music these four legends should make.

Was “In Terms of Two” from 1973’s ‘Chicago VI’ the beginning of Peter Cetera’s eventual takeover of Chicago?

As a composite of ideas and influences introduced elsewhere, ‘Vol 1: The Humanities’ is a fine entry point to Ben Goldberg’s catalog that dilutes none of his expansive artfulness.

Fabian Almazan’s ‘Alcanza’ is stirring, complex, emotional and musically honest.

Frankly, not a lot of music has excited me through the first half of this year. That is, until Alestorm’s ‘No Grave But the Sea’ arrived.

Bill Laswell and the cast of characters assembled for this 57-minute jam aren’t the ordinary type.

“Owner of a Lonely Heart” wasn’t great progressive rock but, without this track, it’s doubtful the band Yes would still be here today.

It becomes clear on solo live performances such as the one captured on ‘Invisible Touch At Taktlos Zürich’ that the more Matthew Shipp is exposed, the more fascinating is his music.