Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Bart and the Bedazzled are like a cool combination of ’70s pop-singer Stephen Bishop and ’80s bands like the Style Council.

Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.

A comeback in the truest sense, ‘You Can’t Beat Youth’ returns the Maharajas to their garage-rock roots.

Philips is clearly that guy who is well suited for DIY, and now we know from ‘Get Along’ that even when he does something by himself two different ways, both ways are the ‘right’ way.

George Harrison’s struggle to balance a simple existence with a rock star’s hedonistic lifestyle is chronicled in the Beatles deep cut “It’s All Too Much.”

A little mellower and little more intimate, ‘Butterflies’ is Basia aging gracefully with music that will likely not age at all.

Released just before Jeff Lynne arrived, ‘Shazam’ found the Move dropping their pop-art instincts in preference of a more experimental slant.

The closer for 1992’s ‘Kingdom of Desire’ is a rare treat for long-time Toto fans: a full-blown instrumental workout.

Classic rock is a dinosaur still walking the Earth, but there’s still enough life left in it to consider a few points in the twilight of an era.