Issued 25 years ago, Lisa Germano’s darkly intriguing debut made it clear that she had always been more than simply an accompanist.

Forty years ago, Gerry Rafferty’s most famous album offered a lasting sense of rebirth, even if the former Stealers Wheel frontman never found it himself.

This album seems to have brought Donny McCaslin to a decision point: Is he a jazz player, an improviser or a rock / pop / stage show player?

If this had been included on an album of all-new material, rather than on a hybrid studio/live Yes project, perhaps it would have garnered more recognition.

Harriet Tubman continues with the lofty ideas found on 2017’s ‘Araminta,’ and one ups it with deeper experimentations into rhythms.

On this date 10 years ago, Jon Larsen set out to put Zappa drummer Jimmy Carl Black back in the spotlight not just a musician, but as a person.

Jeremy Morris embraces another wide array of sonic expressions on his latest inspired endeavor, ‘Dulcimer Dance.’

Set free from the boundaries of his own fame, Paul McCartney flourished on the Fireman’s ‘Electric Arguments,’ issued 10 years ago today.

Bill Champlin and Chicago gave “Rudolph the Red-Nosed Reindeer” the breath of fresh air needed to make this over-exposed holiday classic listenable again.

The Allman Brothers Band’s half century-old song about timeless heartache and the drowning of one’s sorrows has captured the blues-rocking imagination of a new generation.