Stephen Stills’ only platinum song performance wasn’t on Buffalo Springfield’s “For What It’s Worth,” nor his own “Love the One You’re With.”

With ‘How I Learned to Love the Freaks,’ Vinny Peculiar emerges from the hazy smoke of late-’60s youth counter-culture with a clever psych-rock album.

Yes scored a No. 1 hit single 40 years ago, prompting a lengthy, hugely successful international tour. Then they reached Argentina.

Neil Young memorably tipped his hat to Bob Dylan two decades ago on ‘Greendale,’ but only after years of staying far away from his work.

Jeff Lorber shows no sign of running out of fuel, and ‘The Drop’ shows he’s putting everything into his craft today, just as he did some 30 albums ago.

It’s unclear whether Roger Waters’ pending remake of the Pink Floyd classic ‘Dark Side of the Moon’ will once again sync up with ‘The Wizard of Oz.’

David Byrne’s suit became a defining image from the Talking Heads’ ‘Stop Making Sense’ – and a key element in the clip announcing the film’s new re-release.

‘Tormato’ arrived 45 years ago today as the deflating final album from Yes’ classic lineup. Let’s talk about what might have been.

John Wetton, Jonny Greenwood and Downes Braide Association headline this edition of Five for the Road, an occasional look at music that’s been in my car lately.

Tomas Fujiwara and his 7 Poets Trio opens up a cool new vista of jazz with the spare but daring ‘Pith.’