New Orleans is a place where many cultures met in the past, and it continues to draw people from all over the world – including jazz lovers like me.

Through it fizzled as a single, Toto’s clean, organic “Turning Point” again exceeds anything their contemporaries were doing at the time.

No adjustment was necessary for this new collaboration, because Sonar or David Torn complement each other uncommonly well on ‘Vortex.’

‘Espresso’ doesn’t always stick to the script of being an acoustic trio playing straight-ahead jazz, but Bob James never really chose a side.

The second bonus track on the Rhino remaster of 1977’s ‘Chicago XI’ is an enjoyable, if not remarkable, listen.

Stanley Clarke, Superfonicos and Max Moran are part of this occasional look at music that’s been in my car lately.

The word ‘Mahobin’ means ‘thermos bottle’ but also ‘magic bottle’ in Japanese, and the magic made for ‘Live at Big Apple in Kobe’ that retained its passion throughout meant that this fledgling group had lived up to both meanings of the name.

“I Am Waiting” isn’t a Yes epic of yesteryear, but there are enough prog elements to keep old fans engaged.

Billy Cobham joins Mike Tiano to discuss career highlights and challenges that led to the Crosswinds Project.

The men and women who make popcorn in a Wylie, Texas factory believe strongly enough in their mission to devise a cool 90-second rap ditty.