Rich Halley’s inspired collaboration provides the visionary interplay, the spirituality and, yes, the flair for melody that are hallmarks of both sides.

Standards are treated with respect, but still given a striking individuality on violinist John Pearce’s debut ‘Just Friends.’

It’s a shame this didn’t make the album: “Doin’ Business” would have made a great replacement for a few duds on ‘Chicago XIV.’

Released 10 years ago today, ‘e’ did more than advance Adrian Belew’s considerable legacy. It introduced us to a pair of exciting new talents.

Greg Granger is joined by the up-and-coming Kenya-based group Refuge, now set for their first international gig at Germany’s Bautz Music Festival.

Bloody Hammers strike the perfect mix of riffs, mood, melody and camp to drive a stake right through my metal heart.

Toto’s country collaboration with Clint Black is a delightful surprise right in the middle of 1999’s always-eclectic ‘Mindfields.’

Don Breithaupt joins Preston Frazier to discuss ‘Friday,’ Monkey House’s long-awaited follow up to 2016’s ‘Left.’

‘The Fine Line’ leaves you wondering why the wider public hasn’t picked up on what all insiders have known for years: Bob Sheppard is a top-shelf jazz musician.

“The American Dream” has a lot of the Chicago exuberance from their early years, along with one of Peter Cetera’s finer lead vocals.