Charlie Carter’s ‘Every Ounce of Love’ was written from the soul, sung from the heart and delivered with quality.

15 years ago today, Metallica decided to listen to their fans. This is the way ‘St. Anger’ should have sounded in the first place.

I can, without a doubt, say Gloryhammer’s recent stop in Dallas was one of the favorite concert experiences of my life.

Preston Frazier’s mid-year new music survey includes Best of 2019 candidates Bernard Fowler, Grupo Fantasma and Oz Noy, among others.

Unlike the preceding track on Toto’s ‘Mindfields,’ “Selfish” succeeds because it gets to the musical point without wasting a note.

Geoff Tate’s collaboration with Sweet Oblivion may be the closest thing we’ve gotten to the classic Queensryche sound since 1990.

Released 10 years ago today, Son Volt’s ‘American Central Dust’ found Jay Farrar asking questions – and being OK when he didn’t always get answers.

Tom Pierson’s ‘Last Works’ features some of the best and most listenable music with a traditional bias I have heard for a long time.

Robert Lamm’s “I’d Rather Be Rich” had been sitting around in the vaults for several years before it made the ‘Chicago XIV’ album.

Whit Dickey uses his drums not to merely set a rhythmic pulse of the song, but the spiritual pulse, too.