Marty Penrose, “My Side of the Merri” (2020): One Track Mind
Recalling a time of trust and innocence, Marty Penrose’s “My Side of the Merri” is dewy-eyed nostalgia at its best.
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The Westerlies, “Weeping Mary” from ‘Wherein Lies the Good’ (2020): Something Else! video premiere
Here is the video premiere of “Weeping Mary” by the Westerlies, from their upcoming album ‘Wherein Lies the Good.’
Toto, “Living For the City” from ‘Through the Looking Glass’ (2002): Toto Tuesdays
Toto’s remake of “Living For the City,” the Stevie Wonder classic from his 1973 masterpiece ‘Innervisions,’ is yet another bold move.
The Wood Brothers – ‘Kingdom In My Mind’ (2020)
The Wood Brothers always opt for timeless themes and methods, and never more so than on ‘Kingdom In My Mind.’ This record satisfies the soul today and will satisfy the soul just as well many years from now.
Julia Biel – ‘Black and White Volume 1’ (2020)
With ‘Black and White Volume 1,’ Julia Biel has become a confident, characterful musician who can deliver numbers with certainty.
Bryan Adams Finally Established His Own Identity With ‘Cuts Like a Knife’
Released today in 1983 amid a surge of New Wave, Bryan Adams’ third album proved there will always be an audience for real music recorded by real people.
Jeff Parker and the New Breed – ‘Suite For Max Brown’ (2020)
Cobbling together something new from things old is not a Jeff Parker invention. But his unique take on this approach makes ‘Suite For Max Brown’ so much more accessible.
Chicago, “Hard Habit to Break” from ‘Chicago 17’ (1984): Saturdays in the Park
Chicago’s “Hard Habit to Break” was the promise of great things yet to come, but unfortunately that was never fully realized.
La Tanya Hall – ‘Say Yes’ (2019)
By the end of La Tonya Hall’s ‘Say Yes,’ I realized I’d listened to something wholly original yet totally satisfying.
Marillion – ‘With Friends From the Orchestra’ (2019)
Marillion’s ‘With Friends From the Orchestra’ is the sound of a band still bravely sticking out from the mainstream music scene.
