Witch ‘n’ Monk – ‘Witch ‘n’ Monk’ (2020)
‘Witch ‘n’ Monk’ transcends definition, cheerfully sitting on the outer reaches of contemporary music, jazz-punk and experimental music.
‘Witch ‘n’ Monk’ transcends definition, cheerfully sitting on the outer reaches of contemporary music, jazz-punk and experimental music.
With every member having chops, pipes and creative flair, ‘Threesome Vol. 1’ introduces the Lickerish Quartet as Jellyfish’s rightful successor.
Though I wouldn’t call it a Robert Lamm co-written masterpiece, Chicago’s “Forever” remains a beautiful, thought-provoking love song.
‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.
Ross Boissoneau caught up with Todd Rundgren for a discussion on growing as an artist, learning through listening, and shared musical experiences.
Toto made some safe song choices on 2002’s ‘Through the Looking Glass,’ but then there were also a few head-scratchers like “Watching the Detectives.”
Released 10 years ago today, ‘Groove Academy’ featured a new twist on Stanton Moore’s regular collaborations with Hammond B-3 and guitar.
Here is the streaming premiere of “Neuroplasticity Pts. 1, 2, and 3” by the MacroQuarktet, from their upcoming release ‘The Complete Night: Live at the Stone NYC.’
Restless trumpeter Lina Allemano’s ‘Rats and Mice’ is another adventurous ride for open-minded listeners.
Unfortunately, “Niagara Falls” and the rest of ‘Chicago 18’ represent the band’s most-dated era.