Toto, “All the Tears That Shine” from ‘Toto XIV’ (2015): Toto Tuesdays
David Paich’s standout “All the Tears That Shine” gives the Toto co-founder yet another chance to shine on ‘XIV.’
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Fred Frith + Ikue Mori – ‘A Mountain Doesn’t Know It’s Tall’ (2021)
This is obviously not music for all tastes but if you know about Fred Frith and Ikue Mori, then you know how good they are at making noise; for ‘A Mountain Doesn’t Know It’s Tall’ they make beautiful noise together.
14 Jazz Orchestra, Jazzrausch Bigband + Grand Rapids Jazz Orchestra: Big Bands on Different Paths
14 Jazz Orchestra, Jazzrausch Bigband and the Grand Rapids Jazz Orchestra demonstrate the vitality and variety of a big band, however big it is – or isn’t.
Why Miles Davis’ ‘Bitches Brew’ Remains Such a Revolutionary Work
Miles Davis steadfastly refused to conform to any expectations that were held for him – as both an individual and artist.
Chicago, “The Show Must Go On” from ‘Stone of Sisyphus’ (2008): Saturdays in the Park
By the time “The Show Must Go On” finally saw official release, everything had changed – for the song, and for Chicago.
Michael McDonald, Sept. 3, 1987: Shows I’ll Never Forget
It was Baltimore, on a hot September night, and Michael McDonald, on his second solo tour since the breakup of the Doobie Brothers.
Todd Rundgren’s ‘Clearly Human’ Show Reimagines the Concert Experience
Everyone is looking toward a future in which live music can again become a shared experience. Todd Rundgren has a different future in mind.
Brian Charette – ‘Power From The Air’ (2021)
A less forceful, more subtle Brian Charette Organ Sextette has its own, new charms in addition to a lot of the old ones. The evolution of Charette’s best ensemble is coming along just fine with ‘Power From The Air.’
Tom Petty, Johnny Cash + Beastie Boys: Rick Rubin’s Most Important Albums
A prominent figure in the histories of rap, metal, country, rock and more, Rick Rubin is the premier music producer of our time.
Yes, “Dear Father” from ‘Yes’ (bonus track, 1969): YESterdays
What the 1969-era Yes b-side “Dear Father” lacks in progressive-rock elements, it makes up with a strong hook and rock ‘n’ roll passion.
