Guys like Tab Benoit and Kenny Neal are testament that the blues are still alive and kickin’ in South Louisiana. But when it comes to making the blues come alive in the bayou country, those guys have their match in a sixty-two year old blind white guy from Wisconsin. ThatRead More

From “Don’t Stop Believin’” to konnakul. What does that mean, you ask? Allow me to explain. Journey, a band mostly known for gargantuan stadium anthems from the late-seventies to the mid-eighties, had a secret weapon in their ranks. Those who didn’t take their toilet breaks during the individual solo segmentRead More

David Witham is one of those figures in jazz who is hardly a household name to the general public, shoot, even to the jazz public. But just behind the curtain, Witham has been a major contributor to the scene. A pianist who likes to dabble in the electronic stuff, he’sRead More

by S. Victor Aaron When you put the words “Paul Motian” and “Live At The Village Vanguard” together, most jazz fans can’t help but to think of of the time this legendary drummer played at that very venue one magical Sunday in June, 1961. But there were many other enchantedRead More

NICK DERISO: Even four solo records later, you keep expecting Billy Bob Thornton to do something wacky on his new release “Beautiful Door,” to be issued by Universal on July 24. See, in the movies, he’s Bad Santa. The Astronaut Farmer. That murderous dude in his Oscar-winning plot for “SlingRead More

  Now that Rolling Stone magazine has recently anointed him a “guitar god,” cutting edge guitarist Nels Cline has progressed far beyond his minor icon status of the 1990’s in the Los Angeles experimental music scene to become something of a known quantity among followers of progressive-minded electric guitarists likeRead More

by S. Victor Aaron There’s often a certain poignancy inherent in the last recordings of great musicians, and last October we examined notable final recordings of such jazz legends such as Bill Evans, Clifford Brown and John Coltrane. In that article, Goin’ Home by alto saxophonist Art Pepper was citedRead More

by S. Victor Aaron Maybe Nick’s covered a couple of “various artists” albums on this blog, I don’t remember. But until now, I’ve stayed away from them. It’s hard to assess these kind of albums as a whole, when there’s so many styles and approaches coexisting on the same record.Read More

by S. Victor Aaron Whether it’s for gigging with Joshua Redman, opening for Steely Dan, sessioning with Norah Jones or forging a new approach to the jazz organ, Sam Yahel deserves your notice. Find out what sets Yahel apart from other Hammond B-3 players and get his insights on whyRead More

Jaco Pastorius dubbed this all-star pairing the “Trio of Doom.” It became more fittingly the “Doomed Trio.”