There is a grail-like anticipation to these recordings, captured during four live performances just as trumpeter Miles Dewey Davis’s career transformed from a twinkling light at dusk into remarkable super nova. Too, these aren’t your run-of-the-mill sideman constellations; they are, actually, all stars. Namely, the band features a still-rising JohnRead More

Bill Moring is someone readers of this space have come to know as the guy jazz pianist extraordinaire Steve Allee relies upon for holding down the bottom in his band. Moring is hardly “just” Allee’s bass player, though. Throughout a three-decade career, Moring has played in ensembles of all sizesRead More

A couple of years ago, I posed the question: is the Dave Holland Quintet the best jazz group working today? Today, the Dave Holland Quintet has been supplanted by the Dave Holland Sextet, and with last week’s unfurling of the Sextet’s first record Pass It On, we get to assessRead More

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

We think of him as a famous jazz guy. But those who knew Charlie Haden as a child remember him as a bluegrass prodigy in a traveling musical group of relatives.

Sometimes you know if a CD is going to be good even before you cue it up and start listening to it. The first thing I that caught my eye when I opened up Michael Bates’ Clockwise CD was the note that it was taped live on a two-track recorder.Read More

Lodged toward the end of a nostalgic song cycle that attempts (with varying degrees of success) to recreate the soaring pop music of his California youth, Brian Wilson offers a moment of naked, welcome honesty. On “Midnight’s Another Day,” away from the florid orchestrations and dense backing vocals associated withRead More

“The best post-punk jazz trio with vibraphone ever.” That’s the bold declaration you’ll find when you click on the link at the bottom of this article to purchase their CD. It’s also very hard to argue with that statement. James Westfall (vibes), Dan Loomis (acoustic bass) and Jared Schonig (drums)Read More

Photo: Susan J. WeiandWith jazz fusion having been around for some forty years, now, it’s not so easy to be distinctive in that field anymore. Garaj Mahal manages to stick out, mainly due to massive chops by all four group members and a dizzying array of influences each group memberRead More

The sky’s the limit for Aaron Parks and he’s already several miles off the ground.