Brian Blade – ‘Mama Rosa’ (2009)
‘Mama Rosa,’ named after Brian Blade’s grandmother, is a thematic album built around family, faith and early life events, as well as people he’s come to love along the way.
‘Mama Rosa,’ named after Brian Blade’s grandmother, is a thematic album built around family, faith and early life events, as well as people he’s come to love along the way.
by Pico The real revolutionaries in music never seem to run out of ideas. That can certainly be said of one of the most…if not the most singular voice in improvised music today, guitarist Bruce Eisenbeil. When we first visited his work on this site, it was about a single,Read More
Last fall MMW kicked off the first part of their Radiolarians trilogy with Radiolarians I. Earlier this month, Part 2 came out. As with Part 1, Radiolarians II has many of the threesome’s astonishing range, sharp musicianship and unpredictability on display; it’s atypical nature makes it a typical MMW album,Read More
by Pico So what do these three albums getting the spotlight on this Quickies have in common? For one, they all fall on the jazz side of things (no surprise there). For another, these are all April releases. Oops, it’s already May, isn’t it? It’s still not too late toRead More
by S. Victor Aaron Using large ensembles as vehicles for improvised music is hardly a new proposition, but can be one of the riskiest ones. After all, the more musicians involved, the more likelihood that one or more them won’t be on the same page and thus the greater potentialRead More
We’re not even four months into 2009 and already we’re here for the third time since February celebrating a new Chick Corea release. In February, it was piano/piano face-off with Hiromi called Duet, in March it was the live document of Return To Forever’s triumphant return Returns, and today it’sRead More
by Pico As before, this Quickies is an opportunity to highlight new offerings by some lesser-known jazz artists out there today. The thought crossed my mind to throw in a big name like Neil Young, but we kind of covered his Fork In The Road record last week in aRead More
“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More
A lot of best and most successful jazz artists come from the best music programs: Berklee, Manhattan School of Music, and Julliard, have all produced countless musicians who’ve gone on to make big impacts on jazz. But when talking about fertile breeding grounds for jazz greats, the University of NorthRead More
Marcus Roberts has burst back onto the jazz landscape, 11 years after his last session, with “New Orleans Meets Harlem, Vol. 1” – one of the Florida-born pianist’s most celebrated recordings. A rich and explorative combining of styles from across the legacy, Roberts’ record nevertheless retains its uniquely Southern voiceRead More