Where’d saxophonist Chris West get this groove? The undulating downtown streets of New Orleans, of course. Sassy and just plain nasty at times, “Where I Got This Groove” is like a sweat-soaked traipse across that city’s legendary Vieux Carre’. They start with drummer Justin Amaral’s slapping second-line groove, then addRead More

Critics hung soft rock around their necks, but Toto was never so easily identifiable.

The lithe, understated pianist Lisa Hilton has led a dozen dates, and Underground is record no. 13. There’s a nocturnal ambience about her brand of jazz, one she seems to play up with past album titles like Cocktails at Eight…, Jazz After Hours, Midnight in Manhattan and After Dark. Moreover,Read More

Pianist Benny Green’s aptly titled new release Source can come off as a familiar conversation, since it’s filled with a number of jazz music’s notable voices — most of them, no surprise, key influences on his work. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973):Read More

When the new self-titled project from reformed 1980s rockers King Kobra, issued by Frontiers Records earlier this month, landed in my hands, I remembered two things about the band. Sadly, neither one of them was legendary drummer Carmine Appice You May Also Like: No related posts.

Dave Grohl has, for the most part, put aside his throat-bleeding yell. Thank the gods. Oh, it’s still there, to be sure: “Bridge Burning” comes tearing out of the speakers at full bore, Grohl hollering away, but that gives way to singing pretty quick, and then he sticks with itRead More

John Oates takes us inside the love-gone-wrong beginnings of Hall and Oates “She’s Gone,” and talks about how the birth of Oates’ son sparked a standout solo track. He also laments that doo wop never gets its due, and how he remade a signature Hall and Oates hit into aRead More

For a musician who has devoted his life since early childhood toward his craft and studied for many years as well as earning his stripes in the bars of the great jazz cities of the world, the release of that first album has to be a feeling of relief, elationRead More

John Oates has always been more than the Other Guy in Hall and Oates. In fact, the mustachioed one co-wrote half of H&O’s six Billboard No. 1 songs, including “Out of Touch,” “I Can’t Go For That (No Can Do)” and “Maneater. You May Also Like: No related posts.

Stevie Nicks is, I’ve always thought, one of those ingredients that only tastes completely right in concert with other things. Those things being the rest of Fleetwood Mac in general — and, more specifically, Lindsey Buckingham. You May Also Like: No related posts.