The thrash-jazz music of Little Women is well off the wall. by S. Victor It’s time again to take a walk on the wide side. Anybody who plays that unpredictable, elaborate and passionate music called jazz has my eternal respect. If they play it in new and unconventional ways, well,Read More

by S. Victor Aaron “Finding your own voice” is such an overused phrase these days. That especially holds true in the music business, where such rote advice is handed out like doubloons at a Mardi Gras parade. The young, alto tenor saxophone specialist Sarah Manning has heard those words herself,Read More

Multiple personality disorder is considered an affliction among the mentally disabled, but when it comes to the artistry of that unquenchable, multidimensional guitarist Nels Cline, it’s the very thing that makes him such an unpredictably compelling musician. Each time I’ve audited a new record of his, like his celebration ofRead More

photo: Jimmy Katz by S. Victor Aaron If you has happened to follow this site long enough, you know the drill: The Stryker/Slagle Band puts out a new record, I listen to said new record, then I write about how great it is. Keeper, the newest by the Stryker/Slagle BandRead More

photo: Kyle Ober by Pico It’s catch up time again. In what is becoming a frequent tradition for me on Something Else, I’m taking a batch of CD’s and doing pocket reviews on them, in order to get you all caught up on what’s been getting the spins lately. WhereasRead More

Fusion guitar big dog Allan Holdsworth has been in a number of notable bands: The Soft Machine, Gong, UK, Level 42…but the brief, mid-seventies stint he had in Tony Williams’ reconstituted Lifetime band have made up some of the fondest memories for him. About a decade ago, he honored hisRead More

by Pico One of the most enduring singing piano players isn’t Billy Joel or even Elton John. Mose Allison has been at it since Nat King Cole was dominating the charts and although he’s slowed down a lot lately, the eighty-two year old was recently enticed back into the studioRead More

by Pico If a measure of the talent of a band can be measured by the amount of meaningful side projects its members get involved with, then Umphrey’s McGee is beginning to qualify as a very talented bunch. Last year, Jake Cinninger, Kris Meyers and Joel Cummins from my favoriteRead More

by Pico Rufus Reid has never had the flamboyant, edgy comportment of, say, Charles Mingus, but for decades now, he’s been a first-call bassist for many of the finest jazz (and even non-jazz) musicians. Making his way to the top level of bottom pluckers via stints in the Thad Jones-MelRead More

by S. Victor Aaron When I heard Joe Higham’s wonderfully diverse world fusion treat Where Are We Now? last year, I became suspicious that the Low Countries might be a magnet for out-the-box thinking for jazz players. Listening to Eric Vloeimans and his Gatecrash’s new release Heavensabove! just confirmed thoseRead More