by S. Victor Aaron When Jon Irabagon signed with the mighty Concord Records after bagging the 2008 Thelonious Monk International Jazz Competition for saxophone, you might assume that he would have left behind his wild side to become a more “serious” player. But his continued involvement in the gangsta jazzRead More

by Mark Saleski I wish I had a cool story about where I learned about the blues. I never had an older brother who gave me his Howlin’ Wolf records. There was no cousin who pointed out the line that runs backwards from Jimmy Page. Despite the early appearance ofRead More

photo: Jimmy Katz by S. Victor Aaron When a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy. We witnessed this with Art Tatum’s Solo Masterpieces recordings made at the end of his life. The same goesRead More

by S. Victor Aaron As I write this, two very talented bands from Italy specializing in the jazz of the whack variety are traversing the fruited plains looking to collect fans from the USA. The trio Neo and the quartet Tribraco are criss-crossing the country from August 23 to OctoberRead More

I had intended for this essay to start out something like this: OK, I’ll come right out and say it. I used to hate John Mellencamp. Back then he was known as John Cougar. All of my friends had their copies of American Fool, and I had to put upRead More

By Mark Saleski Many years ago, while stuck in traffic during the evening commute, I heard a radio segment on microtonal composer Easely Blackwood. I had read about things like microtones, 24-note equal tunings, and the like, but somehow none of the music had ever made it’s way into myRead More

by S. Victor Aaron There’s been a quiet trend of the last fifteen or so years that seems to be picking up steam lately. That is, to approach jazz from the dreamy and sometimes rough textures of alt rock and electronics. There’s even a name for this: post-rock. Tortoise wasRead More

Mother Nature just staged a terrorist act on our ass! — Warren Smith, “Dyes And Lyes” About five years ago, woodwinds and flute specialist Andrew Lamb convened a recording session with his longtime musical partner Warren Smith (drums, percussion) and the bass/cello master Tom Abbs for some free form musicalRead More

by Pico It used to be, all good jazz originated out of New Orleans, then Chicago, then New York. And a lot of it still does these days. Eventually, Western Europe became the place of origin for a lot of great jazz for several generations, now, and even Eastern EuropeRead More

Before there was Sonic Youth, before there was Radiohead, Material, The Flaming Lips or the Animal Collective, there was Curlew. Founded by saxophonist/composer George Cartwright in 1979, Curlew soon became an incubator for just about every important name in the the New York downtown experimental music scene that thrived inRead More