by S. Victor Aaron I don’t pay a great deal of attention to what other jazz critics say about records as I probably should; chalk it up to laziness, I suppose. But even my lazy ass couldn’t help but notice all the interest in media circles buzzing around guitarist MaryRead More

“The Guitar Hero” moves away from the tabloid side of the Jimi Hendrix myth, instead delving into the American guitarist’s sweeping impact on rock music and the instrument. That makes director Jon Brewer’s film not so much a biography, per se, as it is tone-poem love letter to Hendrix’s muse,Read More

by S. Victor Aaron About this time last year Henry Threadgill ended a eight year hiatus from the recording studio and released This Brings Us To, Vol. 1. It was very well received, and made almost everyone’s year-end “best of” jazz albums for 2009, including ours. On one day shortRead More

Photo: Shawn Brickbill/High Two It’s been quite a while since the bassist and composer Michael Formanek has led a date but with his ECM debut The Rub And Spare Change, he’s more than made up for lost time. Out since October 12, The Rub marks his return as a leaderRead More

by Pico I remember at least as far back as 1988 that South American grooves and contemporary jazz can and do mix together well. I was reminded of that harmonious blend again when I first spun up the new CD by New York electric guitarist and composer Nelson Riveros. TheRead More

One of the bigger regrets I’ve had with this site was missing the opportunity to review Rudresh Mahanthappa’s Kinsmen when it was released two years ago, because this saxman of Indian descent did such a brilliant job in combining traditional Indian music with traditional jazz. Last week, the debut albumRead More

by S. Victor Aaron Howard Wiley’s The Angola Project (2007) created a lot of buzz and put his name firmly on the jazz map. It wasn’t so much for the tenor saxophonist’s playing or inventing a whole new style of jazz. Rather, the acclaim came from the attention he broughtRead More

by S. Victor Aaron Washington, D.C.’s Matta Gawa’s self-described “cinematic chunks of post-hardcore improvised sound” is, however else you might describe it, standing apart from the main body of whack jazz. Sounds created from more than forty guitar pedals generating loops, sample, octave altering, various synthesized noise effects created andRead More

That drummer Scott Amendola must like a lot of the same kind of music that I do, because his name comes up in the credits list of plenty of records that I enjoy. A lot of that has to do with his close association with Nels Cline and being theRead More

by S. Victor Aaron Even if you’re into experimental music you might not have heard of Richard Pinhas, but he’s kind of a big deal in his native France. This guitarist led the art-rock band Hedron in the mid 70s, during which time they made seven albums. Pinhas went onRead More