by S. Victor Aaron Jazz that’s hard to categorize is usually the kind of jazz that’s also hard to describe adequately with words but also the kind of jazz I prefer. And if it swings and grooves, so much the better. Alto sax player Pete Robbins’ music has all thoseRead More

by Mark Saleski See, I just knew I was going to like this album. About twenty seconds into the first listen and the whole “Is it jazz?/Is it rock?/What the hell is it?” issue popped up — almost always a recipe for a good time. Heck, I knew even beforeRead More

by Nick DeRiso Mark “Pocket” Goldberg’s Off the Alleyway, a rootsy Americana recording with the flickering neon-soul of a blues joint, stays well away from the beaten path. His sound is as eclectic as the country’s rolling byways, bringing in low-country pedal steel, back-pew harmonizing, the nostalgic wheeze of anRead More

Michelle V. Agins/The New York Times Maybe it hasn’t been talked about that much, but in spite of all the advances in the mastery the instrument led by Sonny Rollins and John Coltrane, the development and evolution of the jazz saxophone didn’t end with those guys. Many of the saxRead More

Densely layered, with an elegant construction, Black Dub doesn’t start out all that much differently from your average recording by uber-hip producer Daniel Lanois. Then something welcomely dangerous, almost feral, happens. Lanois — famous for his work with U2, Bob Dylan and Peter Gabriel, among others — is the firstRead More

by Nick DeRiso News this week that Buddy Guy had been Grammy nominated for best contemporary blues album had me revisiting the scalding blisses of Living Proof. I loved it from the first solo, this sharp outburst of gnarled sexuality on “74 Years Young”: “There ain’t nothing I haven’t done,”Read More

by S. Victor Aaron I’ve always had a hard time distinguishing West Coast jazz from East Coast jazz by ear. I mean. I know it’s supposed to be a more smoothed-out “cooler” variant of the vigorous, sometimes jarring jazz that comes out of NYC and I know that guys likeRead More

By Nick DeRiso At once neo-renaissance, new age and something akin to blissed-out bluegrass, Erwilian’s holiday-themed concert recording Midwinter’s Night neatly sidesteps the pre-conceived notion of sickly sweet Yuletide fare. Midwinter’s Night, instead, is a concert souvenir from warm night of remembrance, affection and camaraderie – sparked by these friendly-as-familyRead More

by Nick DeRiso The Orb’s signature sound — gorgeous but not quite ambient, hypnotic but typically not much more rhythmic than a chill-out room — always seemed to cry out for the guitar stylings of Pink Floyd’s David Gilmour. The band copped to the underlying influence on its debut album,Read More

Photo: Raj Naik by Pico Millions of people know him as an affable, guitar-wielding long-time bandleader of the most popular late night show in television history. Now that Kevin Eubanks has left his eighteen year stint as Jay Leno’s  musician sidekick on The Tonight Show, it’s time to become acquaintedRead More