by Nick DeRiso Neo-soul singer Victor Nelson, in an aptly titled new disc, doesn’t try to hide his emotions on Transparent. In fact, across 10 songs (nine of them self-penned), the vocalist opens up completely. That raw, tender-hearted emotion finds a home in comfy musical surroundings, as Victor references manyRead More

by Nick DeRiso Keith Horn is a tinkerer, someone who hammers things together to see what they can become. But, as with every workshop, having the right tools can make or break a project. Luckily Horn, a Los Angeles-based television composer since the early 2000s, has the cinematic chops toRead More

by Nick DeRiso Turns out, it actually does mean a thing, even if it ain’t got that swing. For something like 80 years now, that old Duke Ellington cliche worked as the clarion call of big band music, but its mantra has also become its curse. You May Also Like:Read More

The early Warner Bros.-focused ‘In Time: The Best of R.E.M. 1988–2003’ does a great job of exploring a period I refer to as the band’s Adult Years.

by S. Victor Aaron Kingston, Jamaica’s own Monty Alexander looms as large a figure in Jamaica’s jazz world as Bob Marley does for its homegrown reggae. A virtuosic pianist in the Art Tatum and Oscar Peterson tradition, Alexander often melds Tatum and Peterson with the dancehall, calypso and reggae idiomsRead More

by Nick DeRiso There are songs you listen to with one elbow jutting out a car window, the gas pedal cutting into the floor mat. Then there are the things that open up different vistas, albums that bring you around to quieter places — sounds that force you to stopRead More

by S. Victor Aaron It’s become a late winter tradition for three years running: covering a new release by the most successful electric blues artist of late, Joe Bonamassa. In ’09 it was The Ballad Of John Henry, then ’10 brought us Black Rock. The short story on the reviewsRead More

You expected the Cars, reformed without the late bass-playing vocalist Benjamin Orr, to come out with a sad song. Not a track called “Sad Song” that sounds anything but. You May Also Like: Todd Rundgren jumpstarted the New Cars’ surprisingly fun It’s Alive The Cars’ Often-Overlooked ‘Candy-O’ Still Revs WithRead More

  by S. Victor Aaron For a lot of us, our first exposure to jazz was those Charlie Brown TV specials featuring the piano trio music of Vince Guaraldi. Then again, some Disney films like 101 Dalmations, Lady And The Tramp and especially The Aristocats contained jazz or jazz-y tunes.Read More

by Nick DeRiso First off, this doesn’t start off with any piano, but also not the churchy wistfulness of the Cowboy Junkies’ 1987 breakthrough The Trinity Session. Instead, there is a gnarled electric guitar from Michael Timmins, a mashed-down organ and an updated worldliness in Margo Timmons’ familiar alto. They’reRead More