Leonardo La Peruta begins The Emotional Touch with a series of skillful runs on the saxophone, almost like a call to arms. “Desperate in Blue” eventually settles into a lithe rhythm signature, but not before La Peruta has served notice You May Also Like: Matthew Shipp – Invisible Touch AtRead More

Guitarist John McLaughlin, decades after his audacious late 1960s’ stateside debut with Tony Williams and Miles Davis, has lost none of his power, virtuosity and vision You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin’s Shakti – ‘This Moment’ (2023)

Our favorite avant gardist from Japan Satoko Fujii is at it again, releasing at once a new batch of records of distinct character. You May Also Like: Satoko Fujii Orchestra Toyko – Peace (2017) Kaze + Ikue Mori – ‘Crustal Movement’ (2023) Kaze – ‘Unwritten’ (2024)

Rebirth Brass Band comes out hotter than a pistol on “Shrimp and Gumbo,” another in the long line of lip-smacking New Orleans songs about food, yet there remains an underlying theme of musicianship. You May Also Like: Canadian Brass – ‘Canadiana’ (2022)

It’s got a cool looking cover, the names on that cover are all giants in the improvised music field, and the rapport is what you’d expect from free jazz pros like these. Those attributes in itself will probably get Planetary Unknown on some year-end lists and it’s already one atRead More

Larry Goldings, the jazz organist and long-time James Taylor sideman, opens his second acoustic piano solo release with this update of “In My Room,” a Beach Boys’ 1963 pop masterpiece You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021)

Everybody digs Nicole Mitchell. They love her in sweet hometown Chicago and all the critics in New York love her, too. Heck, even we discerning types at SER have taken a shining to her. She’s the consensus top flautist in the jazz world, she’s got a new record out, Awakening,Read More

New Life arrived amidst much anticipation of something in keeping with drummer Zigaboo Modeliste’s mythically groovetastic tenure with the Meters. And, bless him, I got it. But that wasn’t all. Take the title track. “New Life” doesn’t mimic the expected grease-fire funk of his old band, so much as forcablyRead More

Guitarist-composer Chris Taylor, at once, brings in familiar fusion influences like Weather Report, Pat Metheny and the Zawinul Syndicate, even while adding these fearless flashes of next-gen electronics — samples, voices, weird keyboard programming, chants, scronks, blips, scratches. It’s jam-packed with aural pokes, the kind of album where Taylor, frontingRead More

When ZZ Top, tearing through “Waiting for the Bus,” howls “have mercy!” in tandem, I’m right there with them. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy” + Others: Gimme Five