If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery. You May Also Like: Pat Metheny – ‘Dream Box’Read More

Their Ocean, ambient then soulful, is one of those amalgams that sounds instantly recognizable, yet completely new. The Chicago-based psychedelic R&B/indie rock group has described itself as “a cross between Hall and Oates and Arcade Fire, if they were friends with the Soulquarians.” As funny as that sounds, it’s aboutRead More

Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendousRead More

These two Paul McCartney albums show a willingness to strip down what had become a varnished sound. But they haven’t aged in the same way.

Black Country Communion may not invented any new formulas but they are executing the old ones closer to perfection than anyone else.

Americana singer-songwriter Mike McGuire travels a land of heavy weather, echoing church bells, sad tales and long memories. But he never lets go of the one thing that binds us together: Faith, in ourselves, in our future paths, in our country. It’s something that adds a sustaining power to BeyondRead More

Like an aging boxer making an heroic late-round stand, James “Superharp” Cotton brilliantly tangles on a timeless favorite from his 1960s tenure with Vanguard, giving fellow harp master Billy Branch all he can handle. You May Also Like: Jaimie Branch – Fly or Die (2017) Anteloper [Jaimie Branch + JasonRead More

Israeli-born guitarist Roni Ben-Hur and Brazlian-born bassist Nilson Matta head a date with percussionist Café (another Brazilian) and American drummer Victor Lewis in tow, called Mojave. While the title might conjure up images of the American Southwest, pay closer attention to the native country of both the bass player andRead More

“Midnight in Harlem” is the sweet-swaying centerpiece of an all-you-can-eat buffet of deep-fried delights called Revelator. You May Also Like: Tedeschi Trucks Band – Let Me Get By (2016) Susan Tedeschi’s Varied ‘Back to the River’ Set the Stage for Greatness Derek Trucks Band’s ‘Already Free’ Gave Us a Fine-Tuned,Read More

On Tuesday, the hard-rock supergroup Black Country Communion’s 2 drops, and you best believe it’s gonna get the SER Lowdown You May Also Like: How Black Country Communion’s Debut Brought Back ’70s-Style Hard Rock