Rufus Thomas, R&B scamp and known ass-shaker about town, was the ripe old age of 53 when this single was released. He hadn’t lost one bit of arm-flapping gusto. Yet, “Do The Funky Chicken” still came out of nowhere. Thomas’s label, Memphis-based Stax, had recently severed ties with Atlantic Records,Read More

Credit Uriah Heep as the co-inventors of hard rock, along with Black Sabbath, Deep Purple and Led Zeppelin. It doesn’t mean they couldn’t craft a crunchy little hit single, too. You May Also Like: On Paul McCartney’s ‘Egypt Station,’ Uriah Heep’s ‘Living the Dream’ + other new releases Doobie BrothersRead More

A sharper direction on this new release, not to mention an all-star backing cast, helps Stanley Jordon overcome many of the stereotypes that have dogged him since rising to fame in the early 1980s. Back then, Jordan was riding a wave of attention over his use of a eye-poppingly fastRead More

Steven Bernstein’s Millennial Territory Orchestra has worked well as a creative outlet for its slide trumpet-playing leader, who seems to come up with some off-the-wall ideas for a jazz orchestra. You May Also Like: Steven Bernstein’s Millennial Territory Orchestra feat. Catherine Russell, “Yes We Can” (2022): One Track Mind StevenRead More

Sebastian Bach’s ‘Kicking and Screaming’ falls in sound somewhere between Skid Row’s ‘Slave to the Grind’ and ‘Subhuman Race,’ and that’s a very good thing

In a few short years after these sides were put to tape, Buck Owens would be hailed as the architect of the Bakersfield sound, notching memorable hits for Capitol including “Tiger by the Tail” and “Act Naturally.” He was, really, still gathering his tools, and picking out building materials. Yet,Read More

The lyrics have changed over these many years, but the mythical journey of Stagger Lee — “that bad man, oh, cru-el Stagolee” who shot a card-playing companion over a five-dollar Stetson hat — remains this talismanic tale. You May Also Like: Taj Mahal and Keb’ Mo’ – Tajmo (2017)

Something keeps pulling guitarist David Torn and bassist Tony Levin together.

Some songs are so personal, so specific, that you wonder if anyone else could ever do them justice. Rufus Wainwright’s “Dinner at Eight,” originally about a confrontation with his often-absent father, was one of them. Until now You May Also Like: Billy Porter, “For What It’s Worth” (2020): One TrackRead More

Tony Levin, bassist with Peter Gabriel and King Crimson, joins us to discuss five key tracks from his remarkable career.