Australian native alto sax practitioiner Nick Hempton is distingished by his smooth tone and direct delivery. The Business is distinguished by a few things, too. First of all, Hempton is joined by Art Hirahara, is in-demand session pianist who last spring delivered a solid album himself. Secondly, Hempton’s eight originalsRead More
On an album boasting a number of dark ruminations on this digital age, Billy Sherwood takes a second on “Living in the Now” to contemplate the answers.
We became acquainted with the Idahoan rocker Jeff Crosby last spring not long after he unveiled his debut release, a very promising EP called Too Many Walls. But that was just an appetizer. You May Also Like: No related posts.
Dallas, Texas-based Laura Ainsworth, though performing last-century throwback cocktail jazz, may have stumbled into a zeitgeist-defining moment with the opening title track here. Whether she knew it or not back in the recording studio, Ainsworth’s delicious tale of revenge exacted on a serial philanderer is perfectly of the moment YouRead More
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to jazz drummer Chico Hamilton. You May Also Like: Digging Into Craft Recordings’ 2021 Chet Baker Vinyl Reissues
At its heart, this is a piano record, filled with moving ballads that connect on a deeply emotional level. Elsewhere, however, Bobby Katz shakes things up considerably. You May Also Like: Clannad – ‘In a Lifetime’ (2021)
It was only about two weeks ago when I last reviewed a contemporary take on Miles Davis’ beautifully pensive “Nardis.” So why again? You May Also Like: Rudresh Mahanthappa – ‘Hero Trio’ (2020)
Jazz legend Chico Hamilton celebrated turning 90 last month — how else? — but issuing another album. With Revelation, the NEA Jazz Master’s 60th project, Hamilton continues to build on a remarkable recording career dating back to 1941. You May Also Like: Paul Jolly, free jazz musician, club owner andRead More
by Beverly Paterson Operating out of Dallas, Texas, the Exotics and the Esquires were hot stuff on a regional level, with the year 1966 being especially kind to them. You May Also Like: No related posts.
Last year’s Opening made me a believer in the trumpet wizardry of one Carol Morgan, who blazed through a set of originals and standards in a small combo without a piano. Her brand new follow-up Blue Glass Music follows the same formula, with perhaps a bit more emphasis on theRead More
