Jeff Arnal and Dietrich Eichmann were on their game for ‘Tides of Unrest / Berlin 2023’ as there is synergism galore, and it never wavers no matter how many chances each take.

Taking the trombone and electric guitar to places rarely visited, Matthias Muller and Andreas Willers generate a pure form of “echtzeitmusik” – or “real-time music.”

Once again bridging music styles from decades apart now connected to make feel-good jazz of today, Takuya Kuroda achieves his mission with ‘EVERYDAY.’

This encounter between Ivo Perelman and Tyshwan Sorey brought out the best of each musician in bringing forth a perfect union of harmony and rhythm, sprung directly from thought to execution.

Steely Dan’s comeback record, ‘Two Against Nature,’ arrived 25 years ago this month. See where it ranks as we count down every album in the band’s catalog.

Dennis Mitcheltree and Johannes Wallmann’s ‘Holding Space’ is a collaboration between musical titans that is long overdue.

The four musicians of ‘NuMBq’ led by Michael Bisio puts a bit of a classical orchestra into their quartet of unbound adventurers.

Fernando Perdomo has crafted another engaging chapter in ‘Waves,’ his ongoing prog-rock series. Is it better than the original LP? That’s a tall order.

The Omar Thomas Large Ensemble’s ‘Griot Songs’ is a nod to the West African tradition of sharing community history and tradition through storytelling.

We learn from the expansive ‘Flashpoints and Undercurrents’ that John Surman’s journey to great heights in jazz was underway very early on.