Max Moran, jazz bassist: Something Else! Interview
Max Moran joins Preston Frazier to discuss his new studio project ‘Neospectric,’ the close-knit musical culture of New Orleans, and his favorite albums.

Max Moran joins Preston Frazier to discuss his new studio project ‘Neospectric,’ the close-knit musical culture of New Orleans, and his favorite albums.
New Orleans is a place where many cultures met in the past, and it continues to draw people from all over the world – including jazz lovers like me.

If you haven’t yet discovered the hidden blues treasure Little Freddie King, ‘Fried Rice & Chicken’ is a perfect way to get acquainted.

With ‘No Revenge Necessary,’ Nolatet once again come up with something that defies categorization outside the very broad confines of “jazz.”

If Jasen Weaver’s ‘The Voscoville’ is any indication, we are definitely going to be hearing more from this exceptional developing jazz talent.
The Blind Boys of Alabama fixed a glaring hole in their amazing career resume with ‘Down in New Orleans,’ released on this date 10 years ago.

The late New Orleans soul-blues great Rockie Charles stashed a dandy little Christmas treat deep within his terrific 1996 ‘Born For You’ LP.

John “Papa” Gros’ ‘River’s On Fire’ is one of those albums you “see,” because the stories are so well told. Mentor Allen Toussaint would be proud.
‘The City That Care Forgot’ arrived in June 2008, just as some might questioned yet another Katrina-themed album. But Dr. John’s was different.

Playing with nervy purpose is purpose enough for the new jazz supergroup of Haas, Dillon, Singleton an Vidacovich to get together and make a record.