When we last visited Ryan Cohan three years ago, the Chicago-based pianist, composer and bandleader had just issued he third album. You May Also Like: Ryan Blotnick – Kush (2016) Ryan A. Miller – ‘Atrophy Torque Fly’ (2018)

Best known as the drummer in the barrier-breaking metal band Living Colour, Will Calhoun has quietly put together an impressive resume in jazz

The word is out, David Murray is back with what should be an exciting new quartet, consisting of pianist Marc Cary, bassist Jaribu Shahid and drummer Nasheet Waits. You May Also Like: David Murray, Brad Jones + Hamid Drake – ‘Seriana Promethea’ (2022)

Jaimeo Brown’s work on the forthcoming Transcendence reflects the stirring continuity of traditions, as Deep South gospel is melded with blues is melded with jazz is melded with rock is melded with hip hop is melded with electronica. You May Also Like: Chris Potter – ‘Circuits’ (2019)

It’s perhaps faint praise to call Pepper Adams one of the best of jazz music’s baritone saxophonists, so thinly populated is the confederacy of players on this most unwieldy of instruments. You May Also Like: Bryan Adams Finally Established His Own Identity With ‘Cuts Like a Knife’ How Bryan AdamsRead More

Jazz supergroups come and go but with a new album looming for the third year in a row, The Cookers have signalled they are serious as a long term cooperative. They could be egged on by the acclaim heaped on their second effort, last years’ Cast The First Stone, butRead More

It’s tough to achieve stardom as a singer, harder still as a jazz singer, and especially as a male jazz singer. Which makes the rapid rise of Gregory Porter all the more remarkable. You May Also Like: Billy Porter, “For What It’s Worth” (2020): One Track Mind

Whereas Geri Allen’s solo piano debut for Motema, 2010’s Flying Toward the Sound, focused on musical inspirations Herbie Hancock, McCoy Tyner and Cecil Taylor, the follow up travels in more personal circles. You May Also Like: John Blum Quartet feat. Marshall Allen – ‘Deep Space’ (2024)

It was only about two weeks ago when I last reviewed a contemporary take on Miles Davis’ beautifully pensive “Nardis.” So why again? You May Also Like: Rudresh Mahanthappa – ‘Hero Trio’ (2020)

Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendousRead More