During the first year or so of my post-college life, I developed a habit of visiting my local record shop every Saturday afternoon (it goes without saying that I already had this habit, maybe not so firmly attached to a particular day). It was an unassuming little store hiding inRead More

Some time ago…two years and three months ago to be more precise…we raved on the double-bass mastery of the Norwegian ECM Records mainstay Arild Andersen, and noted then that he “may not be the first name that comes up when one thinks of the greatest living acoustic bassists, but he’sRead More

by S. Victor Aaron Since very early on we’ve eagerly pounced on records that re-image that dense, impenetrable period of Miles Davis between about 1969 and 1975 when he first defined fusion jazz and then kept redefining it again and again. This is music that doesn’t come easily to mostRead More

by Something Else Reviews Composer/producer Ryan Truesdell on Wednesday launched the Gil Evans Centennial Project at GilEvansProject.com. There’s news: Truesdell, the first person outside of the Evans family to have full access to his musical archives, has uncovered a series of rare compositions, from before and after Evans’ celebrated collaborationsRead More

The late Don Grolnick made only one fusion record, but it was a real beaut. by S. Victor Aaron Ahhh, the 80s. Big hair, big synthesizer sounds and programmed beats. That didn’t just happen with pop and rock, some of these trends seeped into contemporary jazz, too. This was theRead More

by Nick DeRiso Miles Ahead was initially billed by Columbia Records, in the flatly obvious tone of the day, as “Miles Davis plus 19, with Gil Evans.” Right. Still, it was that last guy, the 20th man, who was the important one. After a burst of creativity in the lateRead More

by Mark Saleski A friend of mine, who is just beginning to dip his toe into the pool of jazz, asked me if I thought he was “ready” for Bitches Brew. That’s a tricky question, no matter who is doing the asking. The generic answer, suitable for use in nearlyRead More

by S. Victor Aaron Like many of the greatest American musicians, Miles Davis has had a comeback—he’s had four or five of them, actually—but only one where he came back from not playing at all. It was also his least successful one in the short run. The 1975-1981 retirement wasRead More

by S. Victor Aaron Last Tuesday, HighNote Records furnished two new CD’s, each by established veterans of the jazz scene. Look on the back of just about any classic Blue Note album from the 60s, and you’re likely to see Joe Chambers’ name listed as the drummer. And while there’sRead More

by S. Victor Aaron I freakin’ love the music of Miles Davis. I once named a dog “Miles Davis.” I’ve written tons about Miles Davis. Even compare most every artist who’s doing something cool and expansive to Miles Davis. And when a musician takes on a project projecting the musicRead More