American mainstream cinema rarely strays into the Other Side’s territory – never mind American remakes of cult classics. That’s where Zack Snyder comes in.

Perfectly self-contained, ‘OK Computer’ nevertheless reads as a watershed between what Radiohead was – and what they would become.

Tomas Alfredson’s ‘Let the Right One In’ reimagines a modern vampire fable with great acting, endearing characters, and a contrapuntally hopeful score.

Lovers of the dark, fans of industrial and all cyberpunks take note: Shinya Tsukamoto’s ‘Tetsuo: The Iron Man’ is movie heaven.

Released 50 years ago, Pink Floyd’s ‘Dark Side of the Moon’ was from a different time – and from a very different place. A long while passed before I grew into it.

The guy who directed ‘Ghost’ somehow created an intricate, haunting puzzle. ‘Jacob’s Ladder’ is simply immune to the exhaustion of repeated viewing.

Director Ken Russell’s deliciously over-the-top movie follows a scientist’s increasingly precarious and otherworldly investigations into altered states.

Grandmaster of magic and suspense Christopher Lee said his favorite role was a merry jaunt as Lord SummerIsle in ‘The Wicker Man.’

David Lynch is really a genre unto himself, immediately conjuring up those unhinged, paranoid, disturbingly beautiful fever-scapes so peculiar to him.

Here’s an archival interview with Storm Thorgerson, the visual giant who designed classic album covers for Pink Floyd, Led Zeppelin and others.