Gloryhammer continues to brilliantly satirize power-metal genre clichés and traditions on the final album of an impressive trilogy.

I walked away from Judas Priest’s 2019 show in Little Rock, Ark., with great memories of the music, and a lasting moment with my son.

What Joe Satriani does best is sing – on the guitar. ‘Is There Love In Space?’ arrived 15 years ago today as more proof.

‘The Dirt’ is a fun romp through one of rock’s most decadent decades – and in the end, I suppose that’s appropriate for a film about Motley Crue.

‘Sweet Fanny Adams,’ thought of as the first genuine album from the Sweet, arrived 45 years ago this month.

Extreme’s high-concept ‘III Sides to Every Story’ may have been just a little too much of a leap for a lot of fans.

The shoulda-stayed-retired Motley Crue have unleashed a raging dumpster fire on an unsuspecting musical world.

Finland’s Beast in Black takes us deep into a beautifully cheesy world of guilty pleasure.

Before, Stryper had been too squeaky-clean, too “pretty” for metal. ‘Against the Law’ didn’t have that problem.

If there’s a template for the way to evolve gracefully, it might belong to Soilwork.